Tuesday, October 28, 2008
peace
I told them to speak now or forever hold their peace
i was talkin to ma tears
picking up wrong numbers with the quickness cuz maybe...
i said, "tears, speak now or forever hold it."
taking long hot showers as my refuge
i asked them what shall they say of their peace?
sleeping all hours of the day and night to not feel
I urged them to utter now or never
calling others to tell me what I already know
but i couldn't cry
they chose to forever hold their peace
Sunday, October 26, 2008
Heart
Last night, I revealed what was really inside my heart. I had been trying to cover it up, as i didn't see it to yield any gain or profit of worth. But despite, my knowledge of the rocky core of my heart being insufficient to harvest good things, I needed to express it. I desperately desired to speak everything that was in me. My self-control was no longer attainable. It was just me and my will to release. I realize that was all that I can get out of what I did. I can not expect anything from anyone else but I know that I got somethings out and that's it, nothing further. Perhaps feeling better may be dependent upon the reaction to my actions, but feeling better is what I do with my actions. Mmhmm, I just...
Proverbs 27:19
Jeremiah 17:9
John 5: 18-21
2nd Corinthians 5:17
Romans 12:2
Proverbs 4:23
Philippians 4:8
-check 'em out-
i am poor in spirit, thus the kingdom is mine.
Friday, October 24, 2008
Mad dog's comin...I say mad dog's a comin....hi-freakin-larious
there's just too many elements of funny in this one clip...just too much. God bless Martin 4always
ELEMENTS OF FUNNY:
Impersonation:
• Guy Torry as the Martin Look alike with sweatshirt that says, “Martin Payne” with an arrow pointing to his face.
Repetition in Ol’ Massa speech plus addresses the camera/ tv audience:
• Nipsy: “Mad dog’s comin’….I said mad-dog’s-a-comin’”
Fake Running Scene/ Panic Scene:
• Waitress screams: “Run for your lives”
Voice over
• Big Black Scary Man portrayed by small Gary Coleman
Stressing words:
• Martin: “Look I’m sorry bout the 5 long (break) hard years (stretch) in prison.
Rhyming:
• Martin: You did the crime/ and I guess you had to do the damn time
Cheering:
• Gina: “Go ‘head baby!”
Repetition:
• Martin: “Bring on da noise/ bring on da noise”
• Prop action with Bottle: “I go here” again “I say I go here” and again “I flip it around, bring it back, I go here again.”
Commercial reference:
• Martin: “For all you do, this bud’s for you.”
Threat:
• Mad Dog: “Yo man relax.”/ Martin: “I can’t relax, I’m tryna tell you something.”/ Mad Dog: “I sad relax.” / Martin: I’m chillin’”
Abrupt shift:
• Mad Dog and Martin bogus-fake crying, then Martin reaches out to touch him, and Mad Dog raises up his fist: Martin: “I guess you ain’t been out long enough.”
Sitcom/ Camio Reference & “Message!”:
• Mad Dog: “I’m making money the right way, I’m a florist.”/ Martin: “What you talking bout’ Mad Dog.”
Corny exist/ Theme music:
• Mad Dog exists with an applause, west coast-themed music (same as his entrance), and a raised pound/ black power fist exchange with Pam and Tommy.
Protagonist roast: Pam: “Yea, standin up to a florist really took alotta guts.”
Retraction of the “Message”:
• Mad Dog gets into a fight as he exists. Mad Dog: “Martin I need a witness.”/ Martin: “No you don’t.”
ELEMENTS OF FUNNY:
Impersonation:
• Guy Torry as the Martin Look alike with sweatshirt that says, “Martin Payne” with an arrow pointing to his face.
Repetition in Ol’ Massa speech plus addresses the camera/ tv audience:
• Nipsy: “Mad dog’s comin’….I said mad-dog’s-a-comin’”
Fake Running Scene/ Panic Scene:
• Waitress screams: “Run for your lives”
Voice over
• Big Black Scary Man portrayed by small Gary Coleman
Stressing words:
• Martin: “Look I’m sorry bout the 5 long (break) hard years (stretch) in prison.
Rhyming:
• Martin: You did the crime/ and I guess you had to do the damn time
Cheering:
• Gina: “Go ‘head baby!”
Repetition:
• Martin: “Bring on da noise/ bring on da noise”
• Prop action with Bottle: “I go here” again “I say I go here” and again “I flip it around, bring it back, I go here again.”
Commercial reference:
• Martin: “For all you do, this bud’s for you.”
Threat:
• Mad Dog: “Yo man relax.”/ Martin: “I can’t relax, I’m tryna tell you something.”/ Mad Dog: “I sad relax.” / Martin: I’m chillin’”
Abrupt shift:
• Mad Dog and Martin bogus-fake crying, then Martin reaches out to touch him, and Mad Dog raises up his fist: Martin: “I guess you ain’t been out long enough.”
Sitcom/ Camio Reference & “Message!”:
• Mad Dog: “I’m making money the right way, I’m a florist.”/ Martin: “What you talking bout’ Mad Dog.”
Corny exist/ Theme music:
• Mad Dog exists with an applause, west coast-themed music (same as his entrance), and a raised pound/ black power fist exchange with Pam and Tommy.
Protagonist roast: Pam: “Yea, standin up to a florist really took alotta guts.”
Retraction of the “Message”:
• Mad Dog gets into a fight as he exists. Mad Dog: “Martin I need a witness.”/ Martin: “No you don’t.”
i declare to be In Love
Wednesday, October 22, 2008
Nina'series -NaturalInspiration
"If I had my way, I'd've been a killer"
Four Women
Ain't Got No...I've Got Life
"To be young, gifted and black... is where it's at"
I Put A Spell On You'. Nina Simone
Be my husband
Feelings
*Bonus*
Four Women
Ain't Got No...I've Got Life
"To be young, gifted and black... is where it's at"
I Put A Spell On You'. Nina Simone
Be my husband
Feelings
*Bonus*
Sunday, October 19, 2008
YESSSSSSSS -EFFFIN' MAJIC!!
I, I, I, I, I, I
Know how to transform
I can transform
Ill transform
I'm a transformer
I, I, I, I, I, I
Know how to transform
I can transform
Ill transform
I'm a transformer
I'm just being myself
Plus I gotta be me too
Silly of me to think that
I couldn't bring myself to be you
Ah but behold there is benevolence
Behind this but don't stare though
Be careful cause I'll kill you
With kindness
That why I'm dressed quite neatly
Cause Its easy and discreetly they seek me
And when they reach me and see me
they believe me completely
I'm a real live wire I ain't lying
If its between me and you I ain't dying
I can transform, I can transform, I can transform
Without even trying wow
I, I, I, I, I, I
Know how to transform
I can transform
Ill transform
I'm a transformer
I, I, I, I, I, I
Know how to transform
I can transform
Ill transform
I'm a transformer
Now I'm someone else
Now someone can be me too
Behold the beautiful and bold
everyday I
Wake up to be new
Oh but its simple but they still can understand why
I think I can, I think I can, I think I can or can I
I'm a microchip off the old block
You know not but I was a robot
And I sold Rock and you would get
For sho shoot with a gold glock boy I rode pac
Something that you won't see again
What the hell might as well be a friend
I can transform, I'm a transformer
No telling who I will have to be again
I, I, I, I, I, I
Know how to transform
I can transform
Ill transform
I'm a transformer
I, I, I, I, I, I
Know how to transform
I can transform
Ill transform
I'm a transformer
Saturday, October 18, 2008
cyberspace
hhmhm sigh
lips tight
staring at you
computer screen
waiting for you to
tell me what to do
besides what i'm doing
already
which is work on you
but i rather not
i rather lay
inside
your cyberspace
and be away
from the analog
taking too long
to penetrate
i hesitate
cuz its unfamiliar
but i want it bad
feels like familia
like home
cuz home is foreign
can't seem to find a friend
'cept for you
so i'm waiting for you to hold my hand
and tell me what to do
besides what i'm doing already
let's go steady
cuz i'm steady in a daze
in a amaze
ment
why do u torment
me
leaving me
on the outside
of your space
let me in to your digital underground
i'll abscond and get lost in your found
find me
i'll be here
staring
waiting
for u
to
take me
...
Friday, October 10, 2008
Tuesday, October 7, 2008
Thursday, October 2, 2008
Wednesday, October 1, 2008
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